![]() The second season suggested that the Millennium Group was an organisation that was more than simply American. “Pay no attention to the dissection room behind the curtain…” It suggests a major divide between the second and third season portrayals of the Millennium Group. The decision to apply the title “Skull and Bones” to an episode focusing on the Millennium Group suggests connection, even if the episode itself never explicitly (or even implicitly) acknowledges it. The second season had cited Freemasonry as an inspiration in its portrayal of the Millennium Group. Both are organisations that are highly secretive, and accused of conspiratorial agendas. The Skull and Bones provides a pretty nice template for the Millennium Group. You’ll see-it’s like trying to look into the Mafia.” However, contemporary accounts of the organisation suggest that its “biggest secret may be that its secrets are essentially trivial.” They’ve got their hands on every lever of power in the country. They don’t like people tampering and prying. In 1977, journalist Ron Rosenbaum was allegedly warned by a source inside the Skull and Bones not to dig too deeply into the group. “Thank goodness I brought my reading glasses…” It was pure low-rent hokum, but it did tap into a deep-set fascination with the workings of these secretive organisations. Starring Joshua Jackson and Paul Walker, the film was centred around a barely-fictionalised version of the group, an organisation with sinister ties that extended in just about every direction. Bush was standing for election in the year 2000, The Skulls was released in cinemas. It is easy to see why pop culture tends to fixate on them. ![]() Some theories suggest that the group is “part of a clandestine cabal attempting to rule the world.” Nevertheless, there is healthy (and unhealthy) speculation about what exactly the members of the Skull and Bones get up to. This is inevitable, considering how much influence its members tend to accrue – even if the logic beyond such accusations tends to gloss over that the society explicitly recruits from wealthy and powerful families at one of the top universities in the world. Of course, there is a long history of conspiracy theories about the group. There have been several attempts to negotiate the return of the bones, including a failed legal action by Geronimo’s descendents. Buch wrote, “My senior year I joined Skull and Bones, a secret society, so secret I can’t say anything more.” There were rumours that Prescott Bush had led a party of Bonesmen to steal the skull of Geronimo, which is allegedly still in the custody of the Skull and Bones. In his autobiography, A Charge to Keep, George W. It is often difficult to distinguish truth from fiction. The institution has a long and storied history. Bush and John Kerry had been members, despite their jocular responses to questions. In 2004, the organisation came to national prominence when it was revealed that both George W. The organisation has attracted no shortage of fascination, with a tendency to seek out induct individuals who would go on to have a massive impact on world affairs. However, the title also nods towards the infamous secret society that was founded in Yale in 1832. The title of Skull and Bones obviously alludes to the massive grave uncovered during road construction in the teaser of the episode. There are going to be a lot of Yorrick captions this time… ![]() However, it does articulate just how confused the show must be at this point in its life cycle. ![]() It is not an approach that lends itself to satisfactory or fulfilling storytelling. Skull and Bones is an episode that attempts to both minimise the impact of the second season of Millennium while still acknowledging and building upon it. Skull and Bones plays out this conflict, creating an impression of a show trapped at a crossroads with a problem it cannot resolve. The Millennium Group itself cannot revert back to its first season self. The absence of Catherine Black and the presence of Peter Watts are constant reminders. ![]() However, the third cannot completely erase what happened. The Innocents and Exegesis rather clumsily attempted to write their way out of The Fourth Horseman and The Time is Now by downplaying the impact of the end of the world at the end of the second season. At the same time, the third season is struggling to deal with the legacy and impact of the second season. ![]()
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